- Overview of Xiamen
- Mid-autumn Festival in Xiamen
- Moon Cake
- Gezai Opera
- Fifth Moon Festival in Xiamen
- Nanputuo Temple
Xiamen is an island city with a rich and dramatic history, replete with pirates, rebel leaders, and European merchants. Now linked to mainland Fujian by a causeway, Xiamen retains a strong international flavor. Known in the West as Amoy, Xiamen has a long history as a port city, and later became a center of British trade in the 19th century. Their foreign settlements, later taken over by Japanese invaders at the start of World War II, were established on the nearby small Gulangyu Island. Many of the old treaty-port and colonial buildings in Western styles survive. Xiamen was declared one of China’s first Special Economic Zones in the early 1980’s, taking advantage of the city’s heritage as a trading center and the proximity to Taiwan. Today Xiamen is one of China’s most attractive and best-maintained resort cities.
Xiamen was founded in 1394 at the beginning of the Ming dynasty as a center of defense against coastal pirates. Its prosperity was due to its deepwater sheltered harbor, that supplanted nearby Quanzhou, the port that had been the center of the maritime trade with the Indies.
In the mid-17th century, Xiamen and Gulangyu Island became a stronghold of Zheng Chenggong, known in the West as Koxinga, a Ming loyalist who held out against the Manchu invaders until being driven to Taiwan. Born in Japan to a Chinese pirate father and a Japanese mother, Zheng became allied with holdout Ming princes in the south who hoped for a restoration. He built up a resistance force of some 7,000 junks and a mixed force of three-quarters of a million troops and pirates. In 1661 he drove the Dutch from Taiwan and set up another base there, before his death in 1662.
After the Opium Wars Xiamen became one of the first treaty ports to be opened to foreign trade and settlement following the Treaty of Nanjing in 1842. Gulangyu Island was transformed into an international settlement, where many Victorian and Neoclassical style buildings still survive. The city’s prosperity was due both to trade and to wealth sent back by Xiamen’s substantial emigrant community of overseas Chinese.
Prosperity returned to Xiamen in the early 1980’s when Xiamen was designated one of the four Special Economic Zones (SEZs).
The Mid-Autumn Festival (Chinese Moon Festival) is an important traditional festivity second only to the Spring Festival. Celebrated on the 15th day of the eighth month in Chinese lunar calendar, the Moon Festival usually comes sometime between the second week of September and the second week of October.
Mid-Autumn day is a time when people celebrate the harvest, enjoy the getting-together with families and friends and appreciate good food and the most beautiful moon.
Chinese ancestors took the seventh, eighth and ninth lunar months as autumn and 15th day of the eighth lunar month as the Moon Day which was considered the best day of the year to enjoy the beautiful, round and bright moon.
A harvest festival, Moon Day is a time for relaxation and celebration and most importantly, reunion of families. In the past, food offerings were placed on an altar set up in the courtyard. Special food for the festival included moon cakes and cooked taro, edible snails from the taro patches or rice paddies cooked with sweet basil, and water caltrope, a type of water chestnut resembling black buffalo horns. Some people insisted that cooked taro be included because at the time of creation, taro was the first food discovered at night in the moonlight.
Tradition
The Mid-Autumn Festival is a traditional festivity for both the Han and minority nationalities. The custom of worshipping the moon can be traced back as far as the ancient Xia and Shang Dynasties (2000 B.C.-1066 B.C.). In the Zhou Dynasty (1066 B.C.-221 B.C.), people held ceremonies to greet winter and worshiped the moon whenever the Mid-Autumn Festival set in. It became prevalent in the Tang Dynasty (618-907 A.D.) that people enjoyed and worshiped the full moon. In the Southern Song Dynasty (1127-1279 A.D.), however, people sent round moon cakes to their relatives as gifts in expression of their best wishes of family reunion. At night they looked up at the full silver moon or went sightseeing to celebrate the festival. Since the Ming (1368-1644 A.D. ) and Qing Dynasties (1644-1911A.D.), the custom of Mid-Autumn Festival celebration became unprecedented popular. Together with the celebration there appeared some special customs in different parts of the country, such as burning incense, planting Mid-Autumn trees, lighting Lanterns on towers and fire dragon dances. What is worth mentioning is that the Yuetan Park in the western district of Beijing, was originally the Temple of Moon, and every year, the emperor would go there to offer a sacrifice to the moon.
In mid-autumn farmers had just finished gathering their crops and bringing in fruits from the orchards. They were overwhelmed with joy when they have a harvest and at the same time they felt quite relaxed after a year of hard work. So the 15th Day of the eighth lunar month has gradually evolved as a widely celebrated festival for ordinary people. When the night falls, the land is bathed in silver moonlight. Families set up tables in their courtyards or sit together on their balconies chatting and sharing offerings to the moon. Together they enjoy the spell of night.
Moon cake also has a story. During the Yuan dynasty (A.D.1280-1368) China was ruled by the Mongolian people. Leaders from the preceding Sung dynasty (A.D.960-1280) were unhappy at submitting to foreign rule, and set how to coordinate the rebellion without it being discovered. The leaders of the rebellion, knowing that the Moon Festival was drawing near, ordered the making of special cakes. Contained in each moon cake was a message with the outline of the attack. On the night of the Moon Festival, the rebels successfully attacked and overthrew the government. What followed was the establishment of the Ming dynasty (A.D. 1368-1644). Today, moon cakes are eaten to commemorate this legend.
The round moon cakes, traditionally about three inches in diameter and one and a half inches in thickness, resembled Western fruitcakes in taste and consistency. These cakes were made with melon seeds, lotus seeds, almonds, minced meats, bean paste, orange peels and lard. A golden yolk from a salted duck egg was placed at the center of each cake, and the golden brown crust was decorated with symbols of the festival. 13 moon cakes were piled in a pyramid to symbolize the thirteen moons of a "complete year", that is, twelve moons plus one intercalary moon.
Moon View
A moon view is a must in the Mid-Autumn Festival when the moon is especially round and bright. If the weather remains fine, people will be able to see a full moon on Mid-autumn day astronomers say. A full moon usually falls on the 16th day of a lunar month, instead of the 15th day. The moon will appear at its fullest when it is most closely aligned with the earth and the sun. It takes about 29.5 days for the three celestial bodies to be approximately aligned. The next time for such a fullest moon will be September 19, 2013.
Gezai Opera, also known as Xiang Opera, is the representative opera in South Fujian. Being a traditional opera, it prevails in Minnan, Taiwan and regions in Southeast Asia where overseas Chinese live in compact communities. Its melody comes from folk and the libretto is easy to understand, hence it is warmly welcomed. In 1662, the huge inflow of South Fujian folks into Taiwan with the national hero hoxinga also brought to the island folk music arts such as Longxi Brocade Eulogy, Anxi Tea Picking, and Tong’an Cart Drum. As a result, Gezai Hall emerged. In the late Ming Dynasty and early Qing Dynasty, under the influence of Liyuan Opera, Gaojia Opera and Peking Opera, Gezai Opera, a unique form of performing art, gradually came into existence and gained popularity in Taiwan and later spread to South Fujian after 1928 and renamed Xiang Opera following reforms and innovations by folk artists.
Gezai opera features plain libretto and lively melody and therefore enjoys tremendous popularity among local folks. Liang Shanbo & Zhu Yingtai, a classic drama performed by Xiamen Gezai Troupe, was made into a film by Hong Kong Great Wall Motion Pictures and distributed in Southeast Asian nations. Other plays including Building in Flames, Five Girls Offering Birthday Felicitations, Best Pig Butcher, Legend of White Snake and Authentic or Fake Prince have also been made into TV drama shows.
Another festival, commonly called the Fifth Moon Festival, is celebrated on the fifth day of the lunar fifth month. The proper name for this festival was the Upright Sun Festival, but foreigners in China refer to it as the Dragon-Boat Festival.
The Fifth Moon Festival is also noted for its dragon-boat races, especially in the southern provinces, where there are many rivers and lakes. This regatta commemorated the death of Qu Yuan, an honest minister in the old days who was said to have committed suicide by drowning himself in a river.
Qu Yuan was a minister in the kingdom of Chu situated in present-day Hunan and Hubei provinces, during the Warring States period (475 -221 BC). He was upright, loyal and highly esteemed for his wise counsel that had brought peace and prosperity to the kingdom. However, when a dishonest and corrupt prince vilified Qu Yuan, he was disgraced and dismissed from his office. Realizing that the country was now in the hands of evil and corrupt officials, Qu Yuan clasped a large stone and leaped into the Mi Lo river on the fifth day of the fifth moon. Nearby fishermen rushed over and tried to save him, but they were unable even to recover his body. Thereafter, the kingdom declined and was eventually conquered by the kingdom of Qin
The people of Chu, mourning the death of Qu Yuan, threw rice into the river to feed his hungry ghost every year on the fifth day of the fifth moon. One year, according to the legend, the spirit of Qu Yuan appeared and told the mourners that a huge reptile in the river had stolen the rice that had been offered. The spirit advised them to wrap the rice in silk and bind it with five different colored threads before tossing it into the river.
On the Fifth Moon Festival, a glutinous rice pudding called Zongzi was eaten to symbolize the rice offerings to Qu Yuan. Ingredients such as beans, lotus seeds, chestnuts, pork fat and the golden yolk of a salted duck egg were often added to the glutinous rice. The pudding was wrapped with bamboo leaves, bound with a sort of raffia and boiled in salt water for hours.
The dragon-boat races represented the attempts to rescue and recover the body of Qu Yuan. A dragon-boat ranged from fifty to one hundred feet in length with a beam of about five and a half feet, accommodating two paddlers sitting side by side. A wooden dragonhead was attached at the bow, and a dragon tail at the stern. A banner hoisted on a pole was also fastened at the stern. The hull was decorated with a design of red, green and blue scales edged in gold. In the center of the boat was a canopied shrine. Behind the shrine sat drummers, gong-beaters and cymbal-crashers that would set the pace for the paddlers. Men standing at the bow set off firecrackers, tossed rice into the water and made believe they were looking for Qu Yuan. All the noise and pageantry created an atmosphere of gaiety and excitement for the participants and spectators. Competitions were held between different clans, villages and organizations, and winners were awarded medals, banners, jugs of wine and festive meals.
After the races, the wooden head and tail of the dragon were detached and stored either at the clan headquarters or at the local temple. The hull was buried in the muddy river to prevent cracking, warping and shrinkage. The boats were therefore reconditioned annually before the festival.
Now, on the fifth day of the lunar fifth month, all Chinese people celebrate this festival by eating Zongzi
Situated at the foot of Wulao Peak on the southern end of Xiamen is nanputuo Temple. The temple's Heavenly King Hall, the main prayer hall, the Hall of Great Compassion and the Shrine of Buddhist Scriptures are all graced with painted brackets.
The temple was first built during the Tang Dynasty (618-907). And rebuilt during the Qing Dynasty (1644-1911), it is now an imposing multi-layered trapezoidal structure that overlooks the sea. The Shrine of Buddhist Scriptures houses a huge collection of Buddhist cultural relics, including a Burmese jade carving of the Buddha and many important Buddhist literature. It is one of the sacred places of Buddhism in Southern Fujian. Inside the temple there are the Heaven King's Hall, the Daxiong Hall, the Great Compassion Hall, all of which are built in an exquisite and grand style.
Enshrined in these halls are the statues of Maitreya, Sanshi Reverend Buddha, Thousand-handed Guanyin (Bodhisattva), Four Kings of Heaven, and the eighteen arhats. Although all are serious and solemn in appearance, each is distinctly different from another. The temple attracts a large number of pilgrims at home and abroad. The excellent craftsmanship of the Thousand-handed Guanyin is marked by its thousand hands and thousand eyes and glistening golden color.
As to the Pavilion where Buddhist scriptures are kept, it has a rich collection of the historical articles of Buddhism. such as classics, statues of Buddhas, bronze bells from the Song Dynasty, calligraphic works and paintings from the ancient times. Among them, "Intriguing Lotus Scripture" written in blood in the Wanli period of the Ming Dynasty and the statue of Guanyin in white porcelain, a masterpiece of He Chaosong, are most valuable.
In the temple are preserved many inscriptions, among which the stone inscriptions written by Chen Di and Sheng Yourong in the Wanli period of the Ming Dynasty and the one on a stone stele written by Emperor of the Kangxi period of the Qing Dynasty are most famous. Behind the temple, inscribed on the wall of a rock is a large word "Buddha" which is 4.66 metres in height and 3.33 metres in width. And farther behind, high up on the mountain stands a screen of five peaks coloured by green trees and bamboos and marked by serene valleys and rocks of pleasing shapes. They are called "Five Old Gentlemen Reaching the Clouds," and are one of the eight grand sights of Xiamen. Coming to the top, you not only have a view of the mountain undulating in the wind, but also the view of the sea surging in the distance.
Five Old Gentlemen Peaks
Behind Nanputuo Temple, inscribed on the wall of a rock is a large word "Buddha" which is 4.66 metres in height and 3.33 metres in width. And farther behind, high up on the mountain stands a screen of five peaks coloured by green trees and bamboos and marked by serene valleys and rocks of pleasing shapes. They are called "Five Old Gentlemen Reaching the Clouds," and are one of the eight grand sights of Xiamen.
Look from far, the five peaks wreathed by clouds are just like five old men with white beard and hair who have experienced enough swift changes of the world and are looking far into the vast sea. Coming to the top, you not only have a view of the mountain undulating in the wind, but also the view of the sea surging in the distance.
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